I like to live on the edge in my music, but I find myself trying things that I usually wouldn’t when I play with him, finding new spaces to explore in the realm of improvised lyrics.”

“He takes his devotion to the music as serious as life and death, but once we start playing, it’s just fun. “Playing with Fred feels like we’re in a sandbox,” spalding said. The playfulness of the album, the light sumptuousness and animations of the music, bring an enjoyable energy to the album. This album’s nostalgic musical atmosphere and its reminiscent revelations can cause a listener of any age to understand more about jazz and jazz vocals. It’s very rare that an album takes time travel backward, creating a setting that you can see, feel and touch the past in your imagination. “Alive at the Village Vanguard” makes you feel like you’re sitting in a smokey club in the 1920s. It’s important to see and hear artists preserving the fundamental expressions of jazz and vintage sounds of Black music. Although spalding is a modernist artist who has created sweeping afrofuturistic and experimental pieces of music, she and Hersch seem to want to explore jazz at its root, and again, at its purest-the album is completely acoustic: piano and voice. Vocally, she leans on her unique style: airy soprano-ranged singing colored with scatting and interplay with Hersch’s piano, which is stripped down and resembles elements of ragtime and jazz. Spalding primarily sings on the album, taking on the role as lead vocalist and putting aside her incredible talent as a bassist and composer. Upon the release of their new album “Alive at the Village Vanguard,” veteran pianist Fred Hersch and jazz virtuoso esperenza spalding are embarking on a tour to perform selections and offer audiences intimate opportunities to engage with and indulge in the purity of their pared-down sound. Black Financial Health Open dropdown menu.

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